“Étoffe tissée”
by M. P. (Maurice Pillard) Verneuil
for Exposition internationale des arts décoratifs et industriels modernes (1925 : Paris, France)
“Design based on multicolored floral shapes.”
by Henri Gillet
c1880-1920
Pl. 10 from
Nouvelles fantasies décoratives
Rhomboid and square shapes; on black field.
1930
plate 2 from Relais, 1930 by J. Saudé and Y. Rambosson
“Fish, birds, abstract shapes; on dark red field”
from Relais, 1930; quinze planches donnant quarante-deux motifs décoratifs
by J. Saudé and Y. Rambosson
“Design based on windmills; design based on fairy and snail.”
by Henri Gillet
[1880-1920]
from Nouvelles Fantasies Décoratives
Hey kids! Go rest your hands on a speaker playing loud music. Feel the sound vibrations? Good. Now you might want to adjust your volume for this one.
Sound frequencies produce a variety of increasingly intricate resonance patterns. And if you sprinkle sand or salt on a metal plate that is vibrating from these sound frequencies, you can see the patterns.
Did I explain that correctly? If not, Science Friday has a great video that explains it super clearly. Highly recommended.






![“Design based on windmills; design based on fairy and snail.”
by Henri Gillet
[1880-1920]
from Nouvelles Fantasies Décoratives](http://24.media.tumblr.com/tumblr_lw2jm3J1Ci1qez75wo1_500.jpg)